Skip to main content

★★★★☆ An act of creation

The Soul of a New Machine

Tracy Kidder

There are certain stories our world deems interesting to tell and to hear: stories of battle, stories about artists, stories about show business, stories about politics, stories about crime, and of course love stories. An author would have to be crazy to dedicate himself to the proposition that there is an engrossing story to be told about about building a house, or designing a digital computer.

Tracy Kidder is that author. His book House tells about the building of an ordinary family home in Amherst, Massachusetts. This book, The Soul of a New Machine, tells the story of the design of a digital computer at the minicomputer company Data General in the 1970s.

Before the 1970s a computer was a huge, honking machine, so expensive that an organization that needed to do computing, such as a university, would own exactly one mainframe computer, probably an IBM (AKA "the Evil Empire"), and use it for all campus computing. In the 1970s a new kind of computer came to be. These were called minicomputers, but they were only "mini" in comparison to an IBM mainframe. The most successful minicomputer company was Digital Equipment Corporation, known to its users as "DEC" (pronounced like "deck") . The company didn't like this and insisted that we call them "Digital", but "DEC" -- one syllable, "Digital", three -- it was a fight they were never gonna win.

Three engineers who left DEC started a new minicomputer company called Data General. They had some initial success with the Data General Nova, a minicomputer designed to undercut the DEC PDP-8. (PDP stood for "Programmable "Data Processor" -- that name was chosen to conceal the truth that the PDP machines were computers from university computer centers, who didn't want anyone but themselves doing computing on campus.) But by the mid-1970s DG minis were running a distant second to DEC's own improved product, the PDP-11, which dominated the minicomputer market. The PDP 11/20 I spent my undergrad years programming occupied two standard electronic racks, each a little bit bigger than an ordinary kitchen refrigerator, and stored data on removable magnetic disks with a capacity of 1 MB, each the size of a large serving platter. The computer had 48 kB of memory. As an undergrad I exercised much of my ingenuity in squeezing my programs and data into those 48 kB. The PDP-11/20 cost about $20,000 -- this at a time when $5,000 was a lot to pay for a new car.

The PDP-11 had a serious limitation -- it was a 16-bit machine. That meant that the largest chunk of memory you could deal with was 65536 bytes (= 2 multiplied by itself 16 times). The 16-bit limitation was built into the PDP-11 architecture in a pretty fundamental way. It was obvious to everyone that the Next Big Thing in minicomputers would be 32-bit minicomputers, which would be able to address 4 GB of memory (an amount that seemed almost infinite at the time). DEC set out to design a new 32-bit minicomputer that would be as much like the PDP-11 as possible -- this was eventually their VAX minicomputer line.

Data General knew that the VAX was coming onto the market. In order to survive, they would need to come up with a competitive 32-bit minicomputer. And they would have to do it fast, before DEC owned the market. The Soul of a New Machine is the story of that effort, led by Tom West. It is a genuinely exciting story, not just because it is well told by Kidder, but also because it was a high-stakes effort under the most severe sort of pressure. West hired a bunch of young still-wet-behind-the-ears engineers who had no experience with a project this complex. He pioneered "Move fast and break stuff." long before Mark Zuckerberg ever said that. For instance, he told his team "Not everything worth doing is worth doing well," or "If you can do a quick-and-dirty job and it works, do it."

In the short run, the project was a success. DG brought the Eclipse MV/8000 to market. In the long run, though, it was a failure. VAXen came to dominate the minicomputer market, and DG eventually was forced out of the minicomputer business. But, to be clear, The Soul of a New Machine is not a business story. It's an engineering story. If you don't believe that an engineering story can be exciting, maybe you should give it a try.

Amazon review

Goodreads review
 

Comments

Popular posts from this blog

★★★★☆ The First Law of Quantum Communication

Quanta and Fields: The Biggest Ideas in the Universe Sean Carroll The First Law of Quantum Communication is that all explanations of Quantum Mechanics for general audiences are really, really bad*.  Sean Carroll 's  Quanta and Fields: The Biggest Ideas in the Universe  is very different from every previous pop quantum mechanics explanation I have ever read. The question before us is whether it is an exception to the First Law, or a uniquely creative new example. Where I'm coming from: I am a retired neuroscientist and mathematician. I am familiar with and comfortable with quantum mechanics. I have also, to my sorrow, read dozens of pop physics explanations of quantum mechanics, because every pop physics book begins with the same tiresome six chapters intended to bring the presumed ignorant reader up to speed on relativity and quantum mechanics. And they are almost uniformly TERRIBLE. They are terrible for multiple reasons, but most of these come down to a determination on the p

★★★☆☆ I skimmed the "sexy bits"

A Power Unbound Freya Marske I picked up  Freya Marske 's  Last Binding  trilogy because it was nominated for a Best Series Hugo in 2024. It would not get my vote. I am not a big fan of romance, and am even less a fan of erotica.  A Marvellous Light  contains this acknowledgement And a special shout-out to my mother, who was the first person to tell me that she couldn’t put this book down, and who forgave me for making her read the sexy bits. There are indeed sexy bits in all three novels, and they are explicit and LONG. That was even more true in this, the final novel, because the erotica plays a part in the plot. One of the romantic partners, Alan Ross, is a writer of erotica (although he scorns such euphemism -- he just calls it "pornography"), and the other, Jack Alston, Lord Hawthorn, is one of his readers. I have nothing against erotica in principle, but it is just not what I'm looking for in my reading. I feel about it much the way I imagine  Marske 's moth

★★★☆☆ Not this

Selected Poems (Dover Thrift Editions) by Emily Dickinson Emily Dickinson For me the essential experience of poetry is the “Yes, THAT!” moment, when you read a verse, and you know EXACTLY what it means. A moment was captured, a feeling, a thought. Now, I do not claim that this is the only way to experience poetry, or the right way, or the best way. It is only my way. This works if the mind of the poet and the mind of the reader meet. That makes the experience of poetry very personal. And, I am sorry to say,  Emily Dickinson ’s mind and mine didn’t often meet. It was not a complete loss. For instance, this landed The bustle in a house The morning after death Is solemnest of industries Enacted upon Earth,— The sweeping up the heart, And putting love away We shall not want to use again Until eternity. But it was one of perhaps three poems in this collection that did. Even the famous “Because I could not stop for Death” didn’t do much for me. Part of the problem for me was that  Dickinson

★★★☆☆ Moon gods, metaphysics, and sneers

Tidal Creatures Seanan McGuire Tidal Creatures  is the third novel in  Seanan McGuire 's  Alchemical Journeys  series, or the seventh if you include the  Up and Under  books. The unifying principle behind the series is the personification of things that are not persons, objectively or scientifically speaking, such as the Doctrine of Ethos ( Middlegame ), Winter and Summer ( Seasonal Fears ), and now the Moon. Five of the main characters are Moon goddesses (Aske, Change'e, Artemis, Diana) and a Moon god (Máni). We also meet Kelpie, who is not in fact a Kelpie, but a personification of Artemis's Hind. Each of the gods/goddesses is in fact two persons -- a god/dess and an ordinary human whose body the two share.  McGuire  explains the relationship at length. Roger Zelazny  began his career by writing about thirty stories, which he sent to all the Science Fiction magazines, for which purpose he had made a comprehensive list. In this way he collected 150 rejections and no accept

★★★★★ A little more conventional than Inkheart

Inkspell Cornelia Funke, Brendan Fraser (narrator) I joined audible.com and began listening to audiobooks in 2004. Among the first were  Cornelia Funke 's  Inkworld  trilogy. They were very good -- good books, but also very well read. And since the series is about the magic of reading aloud, this is appropriate. Recently, however, I learned that  Inkworld  is no longer a trilogy. A fourth novel,  Die Farbe der Rache  ( The Color/Ink/Dye of Revenge  -- the German title is a pun that doesn't translate) has recently been published. Wanting to read it, I decided I would first go back and re-listen to the first three books. Inkspell  is, in my opinion, both better than  Inkheart  and not quite as good. It is better in that the  Inkspell  narrator,  Brendan Fraser , is in my opinion more versatile than  Inkheart  narrator  Lynn Redgrave . Don't get me wrong:  Redgrave  is very good -- I would have no criticism of her, had I not heard  Fraser 's narration. On listening to  Ink

★★★☆☆ Good on the facts, relentlessly infuriating interpretation

Genius: The Life and Science of Richard Feynman James Gleick I read  James Gleick 's  Genius: The Life and Science of Richard Feynman  not long after it came out in 1993. I read it because of my interest in  Feynman , but I went into it with some trepidation, because I had read  Gleick 's  Chaos: Making a New Science , and I did NOT like it. Here is what I think of  Gleick : he's a writer who thinks he's smarter than his readers. He is not content to give you just the facts and allow you to draw your own conclusions -- he wants to have INSIGHTS, which he insists on pressing on you in such a way as to cause you to marvel at his,  Gleick 's, brilliance. But I will say this for him -- he's a thorough researcher. If you want the facts about something and can ignore  Gleick 's insights, you may benefit from reading him. I learned things about  Feynman  that I didn't know before reading  Genius . Gleick 's deep insight about  Feynman  is that he worked to

★★★★★ Twenty-five years of recreational mathematics

Hexaflexagons and Other Mathematical Diversions Martin Gardner In 1967 my Aunt Althea, the very best of all possible aunts, gave me a subscription to  Scientific American  for my twelfth birthday. I remined a subscriber until the 1990s. Among the best features of  SA  were the monthly columns "The Amateur Scientist", where you could learn how to build a laser in your garage -- you think I'm joking, but I'm serious -- and  Martin Gardner 's Recreational Mathematics column "Mathematical Games". Yes, I know that to many of you the phrase "recreational mathematics" makes about as much sense as "recreational colonoscopy", but there are enough people who were willing to entertain the idea that math could be fun to sustain  Gardner 's column for 26 years. I was one, and  Gardner  was brilliant. These columns were collected and published in fifteen books by  SA . The best way to get them now is in electronic form. There is a searchable CD

★★★☆☆ A LOT of novel

Myriad Joshua David Bellin Once when I was a postdoc at MIT, I heard physicist  Alan Guth  speak in the Physics Colloquium.  Guth  was known for having invented the idea of  Cosmic Inflation , that the universe exploded in size just BEFORE the Big Bang, setting the initial conditions for the Big Bang. (Versions of this idea are now mainstream physics.) In his Colloquium, he discussed the possibility that inflation could start anytime, anywhere, from quantum fluctuations. This, he showed us, would lead to the creation of a new universe. He then asked how we might see this. And he showed us that since the new universe would be entirely unattached to the one in which it began, there would be no observable consequence in the universe in which it originated. I was bemused. It felt to me as if he had walked down to the front of the room, pulled his hand out of his pocket and there unfolded an entire new universe. He then folded the new universe back up in his hand and put it back in his pock

★★★★★ Faery Cosmology

Be the Serpent Seanan McGuire Regarding spoilers: I wrote most of this review before reading  Be the Serpent , based on what I thought was coming. (Thus, it is not, strictly speaking, a review, but a preview, or perhaps a precognition 😀) I then read the book, and it turned out I needed to fix almost nothing. So, there are no spoilers here: nothing that could not be foreseen, except for one small one, which will be evident. Be the Serpent  is one of the best October Daye novels to date. The best was  The Winter Long . In  The Winter Long   Seanan McGuire  did what I have come to see as the characteristic  McGuire  move: she rewrote the past. You may have thought you knew what was going on when you read  Rosemary and Rue , but you did not.  The Winter Long  shows you that what actually happened in  Rosemary and Rue  was entirely different from the story Toby told in that book.  The Winter Long  completely reshaped the world we thought we were in.  The Winter Long  wasn't the only bo

★★★☆☆ An examination of mystery fiction

Everyone In My Family Has Killed Someone Benjamin Stevenson My title for this review makes it sound like  Benjamin Stevenson 's  Everyone in My Family Has Killed Someone  is an academic work on mystery fiction. It is not. It is, in fact, a murder mystery. The title choice was deliberate, though, because at times it feels very academic. Our hero, Ernest Cunningham, is an author who writes HOWTO books for would-be mystery writers. That is, he writes short little self-published eBooks that go for $1.99. The book in fact ends with an advertisement for two of these books:  10 Easy Steps to Write Crime Like You Lived in the 1930s  and  Golden Age to Your Golden Page: How to Write a Mystery . They don't exist, of course. Murder mysteries are like sonnets or haiku -- a defined literary form with specific and somewhat arbitrary rules that writers are supposed to follow. Ernest Cunningham of course, knows all these rules, and he is very explicit about what they are and how he is being ca