Skip to main content

★★★★★ It's a classic, and it's brilliant

The Complete Nonsense of Edward Lear

Edward Lear

I read The Complete Nonsense of Edward Lear over the course of roughly six months. On most mornings I read just two pages. I think this is a good way to read Edward Lear -- if you read it all at once, you would quickly surfeit on it. But at two pages a day it remains fresh. Until I read this, I didn't realize how much of Lear's work I already knew. Many of the poems were familiar, for instance, "The Owl and the Pussycat". And much of it is brilliant.

Much of it is NOT brilliant -- let me be clear about that. The limericks that occupy so much of the book are formulaic and become tiresome, even at the pace of two pages (typically four limericks) a day. The poems in which he tells little stories, e.g. the aforementioned "Owl and the Pussycat" or "The Story of the Four Little Children Who Went Around the World", are the best.

My five-star rating is based on a principle -- that an artist should be judged by his best work. Judged this way, it is fair to say that Lear is brilliant, and quite unique.

Amazon review

Goodreads review
 

Comments

Popular posts from this blog

★★★☆☆ There was never going to be an HEA

Warrior Diplomat: A Green Beret's Battles from Washington to Afghanistan Michael G. Waltz I picked up  Michael G. Waltz 's  Warrior Diplomat: A Green Beret's Battles from Washington to Afghanistan  because President-Elect  Donald Trump  nominated him for National Security Advisor. I saw that he had written this book and read it to get an idea of who he is. First lesson:  Waltz  is not a buffoon like Matt Gaetz or Robert Kennedy, Jr. "Not a buffoon" is a low bar, but with this administration a nominee who clears it is welcome. In fact, I would go so far as to say that  Waltz  is an intelligent man with serious experience relevant to the post of National Security. If you are more than 30 years old, you have probably had this experience. You know a couple -- perhaps one of them is a friend of yours. Their relationship is always on the rocks. They fight, and the fights are serious. Because you're outside the relationship, you can see what neither of the principals

★★★★☆ Fictional autobiography of Rome's fourth Emperor

I, Claudius Robert Graves Robert Graves 's  I, Claudius  begins with these words I, Tiberius Claudius Drusus Nero Germanicus this-that-and-the-other (for I shall not trouble you yet with all my titles), who was once, and not so long ago either, known to my friends and relatives and associates as ‘Claudius the Idiot’, or ‘That Claudius’, or ‘Claudius the Stammerer’, or ‘Clau-Clau-Claudius’, or at best as ‘Poor Uncle Claudius’, am now about to write this strange history of my life... It is ostensibly an autobiography written by Claudius himself, covering the years of his life until he suddenly and unexpectedly became Emperor of Rome. (The sequel,  Claudius the God  continues the story into his reign.) Claudius is an intelligent and, given his environment and predecessors, surprisingly decent and humble man. Of course, the reader never forgets that we have only Claudius's own word for who and what he is. But his intelligence is beyond doubt -- a fool could not have written this. P

★★★☆☆ Succession in Djelibeybi and other stuff

Pyramids Terry Pratchett Yesterday I finished listening to  Terry Pratchett 's  Pyramids  (book 7 in his  Discworld  series, and I find myself doing what I usually do when I finish a  Discworld  novel: scrambling frantically to locate the plot. It's not that  Pyramids  lacks a plot. My problem is  Pratchett 's everything-up-to-and-including-the-kitchen-sink approach to story-telling. The plot of  Pyramids  is surrounded my yards and yards of stuff that seemed like a good idea at the time. And indeed, most of those things were good ideas. I'm influenced by my background. I have written many scientific papers. My approach to writing a paper is to identify one main conclusion that I want to convince the reader of, then require that every sentence marshall evidence for or against that conclusion. Fiction is different, but not SO different as all that. The corresponding idea in fiction is that every sentence should advance the plot. Now, of course this is not a universal rul

★★★★☆ Stories about boys who want to be scientists

The Mad Scientists' Club Bertrand R. Brinley I think I was 13 or 14 years old when I first read  Bertrand R. Brinley 's  The Mad Scientists' Club . It quickly became one of my favorite books, and I reread it many times. (It helps that it's short.) It's in the tradition of books of stories about mischief-making boys, like  Stalky & Co . These particular boys call themselves The Mad Scientists' Club, and the mischief they get up to usually involves high-tech (1960's incarnations) tricks like radio-controlled motors, etc. It's all very wholesome -- there aren't even any fart jokes (or if there are, I don't remember). The most risqué we get is loud burping. And the stories are actually good. Each of the boys has a definite and distinct personality, and they do sometimes worthwhile and always fun things. But, yeah, it's about boys. The only girl is one Daphne Muldoon, who is the sweetheart of one of the boys. (Gay relationships, you ask? In 19

★★★☆☆ Peggy Carter sans Steve Rogers

Agent Carter Christopher Markus, Stephen McFeely, Marvel Near the end of Captain America: The First Avenger  Steve Rogers dives his airplane into the sea in order to prevent it from reaching (and destroying) New York City. In a final radio conversation with Agent Peggy Carter, he makes a date to take her dancing next Saturday. Both of them know he will not make that date. Agent Carter  shows Peggy Carter's career after Steve's fall and after the end of the Second World War. The year is 1946, and she is an agent with the Strategic Scientific Reserve, a fictional secret organization that was the precursor to S.H.I.E.L.D. It is, I suspect, more or less based on the OSS , which was more or less the precursor to the CIA. Although she is one of SSR's most experienced and effective operatives, having had experience in the SOE  (a real English spy operation in World War II) before coming to the American side, Peggy is relegated to fetching coffee and answering phones by her bosses

★★★★★ Cornelia Funke still gots it

Die Farbe der Rache Cornelia Funke I first listened to  Cornelia Funke 's  Inkworld  trilogy (as it then was) beginning in 2004, and then as the audiobooks became available. They were among the very first audiobooks I ever listened to, and they were VERY good. The premise of the series is that some especially good narrators can, by reading a book aloud, read characters from the fictional world of the book into our own, and likewise read people from our world into the fictional world of the book. Versions of this idea are fairly common in fantasy fiction, and it's not hard to see why. If you are an avid reader, you feel that something like this happens when you read a good book: you enter into the book, and for a while you dwell in that fictional world. Aside from our own, the world in which most of the action of the  Inkworld  trilogy takes place is one created by a writer named Fenoglio in a fantasy novel called  Inkheart . Although the series begins in our world, the principa

★★★☆☆ Minimal surreal magic school story

Midnight for Charlie Bone Jenny Nimmo Charlie Bone has one friend, who has a dog. Charlie lives with his mother and two grandmothers, one who is kind (Maisie) and one, Grandma Bone, who is severe. Charlie discovers unexpectedly that he has a gift -- he is "endowed", as Grandma Bone says. When he looks at a photograph, he can hear the conversation that took place when it was taken. Grandma Bone tells him that, because he is endowed, he must go to a special private school, Bloor's Academy. Charlie accordingly goes to Bloor's Academy, meets other endowed children, and has adventures. Although this sounds like  Harry Potter  or  Percy Jackson , the feeling is completely different.  Jenny Nimmo 's style is spare to the point of minimalism. Nothing is described in more than the barest outline. I don't have a mental image of any of the characters. The story is told in the third person from Charlie's point of view. His inner dialog is minimal. I don't have a f

★★★★☆ Fantasy of a corrupt golden age

The Familiar Leigh Bardugo The publisher describes  Leigh Bardugo 's  The Familiar  as a "historical fantasy set during the Spanish Golden Age". That description is accurate, but gives a misleading idea of the book.  The Spanish Golden Age  or Siglo de Oro is a name given to the period from 1492 - 1659, during which Spanish art, culture, and political power flourished. It was also the height of persecution of anyone suspected of heresy or Jewish ancestry. "Golden" is not the adjective that will come to mind as you read. The main point-of-view character is Luzia Cotado, a scullion in the household of Valentina and Marius Ordoño. Luzia is the orphan child or parents who were secretly Jewish. From her Jewish ancestors she inherits the ability to make "milagritos". ("Milagrito" is a diminutive of "milagro" -- miracle, thus "milagrito" is "little miracle". There is a lot of Spanish in  The Familiar . You don't nee

★★★☆☆ Informative but annoyingly tendentious

Pathogenesis: A History of the World in Eight Plagues Jonathan Kennedy There is a book that everyone who is interested in biology and history should read:  William H. McNeill 's  Plagues and Peoples , published in 1976. I suppose that is long enough ago that we are allowed to call it a classic.  Plagues and Peoples  is an example of what I call a "I have a new hammer -- look at all these nails!" book.  McNeill 's new hammer was consideration of the effects of infectious disease on history. He argued that infectious disease was an important force in history, persuasively in my opinion. Jonathan Kennedy 's  Pathogenesis: A History of the World in Eight Plagues  intends to update  McNeill .  Kennedy  points out quite correctly that the advances in technology since 1976 enable us to see more deeply and clearly into the past of infectious disease than  McNeill  possibly could and thus to replace much of  McNeill 's speculation with clearer and more solid answers. H

★★★★★ The abstraction of abstraction

Abstract Algebra David S. Dummit, Richard M. Foote Most people think they know what algebra is. We take a course in high school called "Algebra" in which we learn the clever trick of using a letter to represent a number. For instance, suppose you know that there's an 8% sales tax on every Christmas present you may buy. If you have $50, how expensive a gift can you buy? Here's the trick: use  p  for the list price. Then with tax, it's going to cost you  p +0.08× p , because 0.08× p  is 8% of  p . But  p +0.08× p  =  1×p +0.08× p  = 1.08× p . If we set that to $50, i.e. 1.08× p  = 50, then we can divide by 1.08 to get  p  = $46.29. That's the most expensive gift you can buy with $50. So, that's nice, but it seems like a lot of trouble to solve a simple problem. But here's the thing, you haven't just solved this problem. You've solved the problem of finding out how much you can buy with $ n , no matter what  n  is: it's always going to be  n /